This is a bad film whose actors seem aware they made a poor life decision. There is a kernel of a potential good idea lurking deep within this travesty, but nowhere evident in script or execution. None of the ideas make any sense, the characters consistently act in the most illogical manner, and the entire endeavor looks cheap, despite a decent cast and some apparent production values. The entire film is limited to one or two sets and the film is arguably an acting showcase for decent actors doing purposefully bad accents. Except for Natalie Dormer, who seems contractually mandated not to attempt poor accents following The Forest (2016). There are no scares or even attempts at such, except for a certain 'love' scene that's so poorly executed and ill-thought I'd argue is an attempt at a horrific object lesson for future actors in picking better scripts.