A nice independent entry into the surging category of satanic one-percenter films, it is advised to not even read a description before viewing. Unlike more bombastic entries in this subgenre, this movie is sparse on action, mostly relying upon solid writing, interesting dynamics and a twisting plot. This movie plays initially as an examination of dysfunctional wealth/status obsessed family dynamics before veering into darker places. Intelligently plotted and slickly executed on a minuscule budget, the cast are all decent, even if there’s nothing particularly memorable about direction or cinematography. The script is dense and dialogue-heavy, jumping directly into the middle of myriad interpersonal dynamics, fleshing out the characters through their interactions. Unfortunately, there is a large cast of characters, and they introduce new ones late into the film, so some are far less developed than others. The film is structured into titled chapters and each chapter jumps around in time, and while an ambitious idea, comes off confusing in execution. While there are horrific elements and some extremely tense moments, there are few frights to be had. Despite these flaws, and a far too enthusiastic soundtrack that often overwhelms the dialogue, this movie is a wonderful and unique indie gem that manages to stick the landing on a rather uplifting emotional beat.
Broil